The Man behind the camera
THE GEAR BEHIND THE FILM
Every Tony Rome film is captured on professional cinema-grade anamorphic glass.
SONY FX3・SONY A7S III ・SHOT IN 4K
50MM 1.2 ・ ATLAS MERCURY ANAMORPHIC
Because the standard you set for your day deserves to be matched by the standard I set for mine.
HOW I WORK
Three things guide every film I make.
◆TIMELESS◆
Trends fade. Your love doesn't
Every creative decision I make is built with one question in mind: will this sill feel right in thirty years? I don't chase what's trending. I chase what will move you when your daughter watches this on her own wedding day.
◆HONEST◆
I find moments. I don't make them
The most powerful frames are never the ones anyone planned. They happen in the breathe before the doors open. In the look between a father and his daughter. I stay ready because I know they're coming.
◆INTENTIONAL◆
Nothing in a Tony Rome film happens by accident.
Before your day. I've studied your venue and understood your timeline. So when the day starts moving... and it always move fast. I'm not figuring anything out. I'm just present. Fully.
your story deserves to be held with care
WHY I ONLY TAKE A FEW WEDDINGS EACH YEAR
I could book more weddings.
I choose not to.
Not because of capacity. Because of what I owe every couple who trust me with their day.
When I say yes to you... I mean it completely. Full preparation before your day. Full presence on your day. My complete creative attention on your story and no one else's.
That's not a sales tactic. That's a standard.
I work with a select number of couples each year across New Jersey, New York and beyond. The couples who find me understand this is not a transaction. It's a relationship. Built with care. From the very first message.
